hodgepodgenoodlehead
Had to pick this one up after Troy played it relentlessly on KEXP. The good news is, it's not a bunch of filler thrown in around Tux (which is of course is an undeniable, dancefloor filling jam). This is packed with ear worms
Favorite track: Bless This Mess.
energydiluted
Easily the band's most fun, danceable, and silliest album yet, and it rules. The song about a damn tuxedo is legit a top 10 of the year for me.
Favorite track: Tux (Your Body Fills Me, Boo).
The highly anticipated eighth album by U.S. Girls, the nom de plume of North American multi-disciplinary and experimental pop artist Meg Remy, will be released on 24 February entitled Bless This Mess. A dynamic suite of dexterous melodies and a nuanced artistic response to the complexities of motherhood, Bless This Mess was crafted in tandem with the conception and birth of Remy’s twin boys. It expands the sonic and thematic palette of U.S. Girls, fusing the muses of funk, mythology, and the radical disorientation of joy into an electric tapestry of anthems, aches, and awakenings.
To celebrate the announcement, today U.S. Girls releases the slow jam gem, ‘Futures Bet’ alongside a music video directed by Alex Kingsmill that explores the visual wonder and resiliency of trash. A combination of traditional 3D animation & composited live action footage was fed into various Stable Diffusion deep learning models. Some images in the video have up to 6 passes of the artificial intelligence reinterpretations at various strengths to create the effect. It co-stars Remy and Carlyn Bezic, who also sings on the track and will open for U.S. Girls’ 2023 tour dates under her moniker Jane Inc.
As Remy’s body changed so did her voice; her diaphragm lost breathing room, adjusting to the growing lives inside. Many takes on Bless This Mess were tracked with the babies in utero, or in her arms. (She even samples her breast pump on the album’s poetic closing cut, “Pump”). The resulting performances are suffused by the physicality of this journey: more blood, more feelings, the interwoven wonders, and wounds of procreation.
The ten songs on Bless This Mess were pieced together stem by stem with a vast cast of collaborators (Alex Frankel of Holy Ghost!, Marker Starling, Ryland Blackinton of Cobra Starship, Basia Bulat, Roger Manning Jr. of Jellyfish and Beck,) and audio engineers (Neal H Pogue, Ken Sluiter, Steve Chahley, Maximilian Turnbull). Long-time collaborator, husband, and co-parent Turnbull played a key role facilitating these fluid muses. The production throughout is exquisite, warm, and wood-panelled, framing the voice, keys, bass, and rhythms in heightened textural harmony.
"U.S. Girls (Meg Remy), a woman who clearly spends a lot of time in her apartment with the shades drawn, wired together a
bunch of drum machines, effects pedals, a mixer, and a Walkman, and unleashed a set of seriously damaged tracks that evoked particularly blunted Lee “Scratch” Perry remixes of Cambodian Rocks covers of Western pop tunes."
- Artforum...more
supported by 96 fans who also own “Bless This Mess”
Alvvays has always been great, but with this album they took it to the next level. Every one of these songs is lodged in my brain now, permanently (in a good way). s. moxley
supported by 89 fans who also own “Bless This Mess”
Gorgeous and moving, this album fills a musical void in my collection that I didn't know existed. With lyrics that speak about the human condition and instrumentals that have a medieval flair, this has become my new musical addiction 😁 Not a single note is wasted here 9RnK7
supported by 86 fans who also own “Bless This Mess”
I think it's difficult to write songs about something other than romantic love, and still be able to communicate the intensity with which those feelings can hit a person. Some of the entries on this album are fantastic examples of this niche. dani_bloop